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Introduction
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.
Readers are invited to step into the role of archivist, assembling the story from these traces, and imagining the lives that fill the gaps between pages: tensions, alliances, secrets far too dangerous to write down. Not everything will be explained. But Inez is watching. And she remembers.
Note: Comments are read and much appreciated. Much as I like reading them on Twitter and Bluesky, I love getting them here, and promise to respond. Moreover your ideas and reactions also join the archives, where they may quietly shape what comes next.
The MP Visits Saint Clare – Previously posted
The Archivist Gets the Last Word:
When the last ink dried on Mr Fowler’s log: petrol topped, ham sandwiches eaten, punctual return to St Albans at four o’clock, the day and its record appeared, on their surface, neatly concluded. A tidy ledger of routes, meals, and mild discontent is precisely the sort of document one expects from a conscientious chauffeur in the summer of 1955. And yet any record, by its nature, resists such tidiness.
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.


Introduction
This tale follows
(This part of the text comes from the end of
He sat at his desk while sh slept. He could not silence her — Honour was not a woman who could be silenced, or remain chastened for long without planning rebellion. She was too beautiful not to be noticed, even had she been inclined to play the wallflower — and her debut season had already proved she was anything but.
Ned’s jaw tightened. To the others, she was a charming bride showing off her sparkle. To him, she was a bright flame catching against dry kindling. He saw the peril of innocence mistaken for invitation, the danger of brilliance wielded without care. He sensed gossip already clinging to her like sickly perfume, a risk that could be stored, repeated, used. He admired her wit – how could he not? – yet threaded through the gaiety he heard something else: the false brightness of a society pretending it was not on the verge of war.
The Charrington Papers, of which the present collection forms a small but telling part [see also
Miss Gladys Williams