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Introduction

The papers gathered here belong to the wider Saint Clare archive and sit alongside the documents already familiar to readers of the Inez de Vries sequence: detention essays, staff memoranda, prefect minutes, household logs, and the private writings that have a habit of surviving precisely because no one quite knows what to do with them.
The Seduction of Anne Kelley draws from the Kelley–de Vries correspondence, preserved in the Blue Prefect Study papers, where material that is neither wholly private nor entirely official has long been kept. You will find letters meant to be burned, copies retained “for reference,” and drafts that should by rights have been torn up but were instead saved, retied, and filed under headings of optimistic vagueness. Some pages are neatly typed, as though the truth might be made more palatable by proper margins. Others arrive in the swift, unsteady cursive of someone writing under pressure, or in a place she very much ought not to be.
The sequence opens, deliberately, near the middle of things. In July 1955, Anne Kelley, a Saint Clare’s English mistress, writes a letter to “Gwennie” with the ease of long practice. Only afterward do we return to the beginning, to see how their correspondence formed, why it was encouraged, and what it made possible.
Readers are invited to take up the archivist’s task, and the investigator’s pleasure, of weighing what people say they intended against what they were, in fact, doing. Much will be implied. Little will be stated outright. Those accustomed to the School’s “special friendships” may notice familiar patterns resurfacing in adult form: the same hierarchies, the same alliances and intimacies, and stakes rather higher than dormitory gossip ever required.
These letters trace the development of that correspondence, from proper parental enquiry to something more deliberate, conducted quietly over time in the familiar idiom of the School. For those who prefer their archives with a guide, a brief introduction to the principal actors has been provided, in the manner of a proper dramatis personae. The archive remembers. And so, of course, does Inez.
Comments are warmly welcomed. While I enjoy seeing them on Bluesky and Twitter, those left here become part of the archive proper, where they may quietly shape what follows. I cannot promise the archive is obedient, but it is, as ever, attentive.
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Foreword
The letters that follow predate the document introduced in Part 0 by some eight years. They belong to the autumn term of 1947, shortly after Inez de Vries arrived at Saint Clare’s, and long before MP Gerald Charrington’s visit rendered Anne Kelley’s correspondence anything but theoretical.
At first glance, there is little here that would trouble a filing clerk. A parent writes to enquire after her daughter. A young schoolmistress replies with due propriety. Both women observe the conventions of their roles, and neither commits anything to paper that might not, under ordinary circumstances, be read aloud in the Headmaster’s study without embarrassment.
And yet, as readers of Miss Kelley’s July 1955 letter will already suspect, this exchange did not remain ordinary.
What follows is not a school report, nor even a sequence of them. It is the beginning of a private correspondence, conducted alongside official channels and sustained with care. The language is measured. The pace unhurried. Nothing improper occurs. But certain permissions are granted, quietly and by degrees.
These letters were found, like their later counterparts, among Lady Gwendolyn de Vries’s papers in the Blue Prefect Study archives, tied and retied, and eventually filed under “Private.” They appear to have been kept not for reference, but for continuity.
The archivist offers them here not as explanation, but as context.
Lady Gwendolyn de Vries
1 October 1947
My dear Miss Kelley,
You will, I hope, forgive a brief note from a parent so early in the term. I should perhaps say at once that I do not write in any official capacity, nor with any expectation beyond what you may think proper.
My daughter, Inez de Vries, has only just arrived at Saint Clare’s, and while I am quite aware that the School’s regular reports will tell me all that is necessary in due course, I confess to a small curiosity as to how she bears her first weeks. One remembers, perhaps more clearly than one expects, how revealing those early days can be. (more…)

The Archivist Gets the Last Word:
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.
12 July 1955 – Outward Journey
12 July 1955 – At Saint Clare
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.



