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Introduction
This sequence draws from the Kelley–de Vries correspondence and the less officious corners of Saint Clare’s, chiefly the Blue Prefect Study papers, where respectable documents go to become something else. You will find letters meant to be burned, copies kept “for reference,” drafts that should by rights have been torn up and were instead saved, retied, and filed under headings of optimistic vagueness. Some pages are neatly typed, as though the truth might be made more palatable by proper margins. Others arrive in the swift, unsteady cursive of someone writing under pressure, or in a place she very much ought not to be.
Readers are invited to take up the archivist’s task, and the investigator’s pleasure, of weighing what people say they intended against what they were, in fact, doing. Much will be implied. Little will be stated outright. Those accustomed to the School’s “special friendships” may notice familiar patterns resurfacing in adult form, with the same old hierarchy, the same old tenderness, and rather higher stakes than dormitory gossip ever required.
The file runs on to later years. Do not panic. For present purposes, we begin where the story begins, with Inez’s arrival in 1947 and one old girl’s decision to write, not to a school, but into a memory.
The archive remembers. And so, of course, does Inez.
Comments are warmly welcomed. While I enjoy seeing them on Bluesky and Twitter, those left here become part of the archive proper, where they may quietly shape what follows. I cannot promise the archive is obedient, but it is, as ever, attentive.
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Foreword
The letters that follow predate the document introduced in Part 0 by some eight years. They belong to the autumn term of 1947, shortly after Inez de Vries arrived at Saint Clare’s, and long before MP Gerald Charrington’s visit rendered Anne Kelley’s correspondence anything but theoretical.
At first glance, there is little here that would trouble a filing clerk. A parent writes to enquire after her daughter. A young school mistress replies with due propriety. Both women observe the conventions of their roles, and neither commits anything to paper that might not, under ordinary circumstances, be read aloud in the Headmaster’s study without embarrassment.
And yet, as readers of Miss Kelley’s July 1955 letter will already suspect, this exchange did not remain ordinary.
What follows is not a school report, nor even a sequence of them. It is the beginning of a private correspondence, conducted alongside the official channels, and sustained with care. The language is measured. The pace is unhurried. Nothing improper occurs. But certain permissions are granted, quietly and by degrees.
These letters were found, like their later counterparts, among Lady Gwendolyn de Vries’s papers in the Blue Prefect Study archives, tied and retied, and eventually filed under “Private.” They appear to have been kept not for reference, but for continuity.
The archivist offers them here not as explanation, but as context.
Lady Gwendolyn de Vries
1 October 1947
My dear Miss Kelley,
You will, I hope, forgive a brief note from a parent so early in the term. I should perhaps say at once that I do not write in any official capacity, nor with any expectation beyond what you may think proper.
My daughter, Inez de Vries, has only just arrived at Saint Clare’s, and while I am quite aware that the School’s regular reports will tell me all that is necessary in due course, I confess to a small curiosity as to how she bears her first weeks. One remembers, perhaps more clearly than one expects, how revealing those early days can be. (more…)

The Archivist Gets the Last Word:
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.
12 July 1955 – Outward Journey
12 July 1955 – At Saint Clare
The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.



