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When I wrote about my summer 2025 spent roaming the British Isles with faithful Sutti , I mentioned announced whirled about in excitement, with the news for my birthday I’d finally acquired the new school uniform of my dreams and worn it to Whitby Abbey.

and I said there was a reason this particular uniform mattered so much to me beyond the obvious fact that it’s exceptionally good-looking. I’ve been meaning to explain ever since, although the explanation turns out to involve nearly thirty years, the early online spanking community, two summers in Edinburgh, a long-vanished department-store tea shop, the first Saint Clare story, and one school tie that crossed the Atlantic before Paul and I had ever met.
The story of this gorgeous uniform begins in Spring 1997. Paul and I had only recently started corresponding. He was a graduate student in Edinburgh, I was beginning my MA/PhD in Los Angeles, and neither of us had yet met anyone from the online spanking community in person. Most of the people who mattered to us there existed primarily as words on a screen: names, voices, jokes, arguments, stories, opinions, and personalities, all of them vividly real and yet still somehow beyond the edges of ordinary life.
Around that time, a newsgroup couple with a Daddy/daughter relationship posted an account of a trip to Britain during which they’d gone shopping for a school uniform in Edinburgh. The “daughter” wanted a proper UK-style uniform, and together they’d visited a shop, chosen one, and taken it away with them. The completed uniform included the school’s blazer, kilt, and tie.1
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The story of Inez de Vries unfolds through a constellation of documents—some official, drawn from the prim and unforgiving files of Saint Clare’s School for Girls; others more intimate, taken from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others retain the texture of handwriting, rendered in a cursive-style font.



I’m currently trying to decide whether Scrivener
Even with getting to hand out with Rex and Adalia, my biggest September news is <cue trumpets>: after being abruptly shuttered five years ago,



The story of Inez de Vries unfolds through a series of documents—some official, pulled from the prim and unforgiving files of Saint Clare’s School for Girls; others are more intimate, drawn from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others will retain the texture of handwriting, rendered in a cursive-style font. Readers are invited to step into the role of archivist, assembling the story from these traces, and imagining the lives that fill the gaps between pages—the tensions, the alliances, the secrets too dangerous to write down. Not everything will be explained. But Inez is watching. And she remembers.
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