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This post will (hopefully) evolve. It’s intended to be a living bibliography of boarding school books, stitched together while my brick-red school trunk goes off into an alternative universe to have adventures without me… because every great school story begins with a missing kit and misplaced books.
There are still several days of Oasis Party posts (first and second) waiting in the wings, and more than a few Inez entries stranded halfway through editing. In theory, finishing those should have my full attention for this Friday morning’s blogging. In practice, however, my AuDHD brain—already juggling post-COVID fog, the occasional energy crash, ridiculous Southern California late-summer humidity and heat, unanswered emails, and an overwhelming number of personal and professional to-do lists—has staged a coup. It looked at the careful queue of half-finished projects, waved politely, and declared: what we really need right now is to get a boarding school bibliography posted.
Q: I’ve collected articles & books about boarding schools since I was 7. Anyone interested in reading lists or a public Zotero library?
Zotero https://t.co/QXK4H2TF80 Citation software used mostly by academics to organize research. Zotero’s open source.
— Mija (@eltercerojo) August 13, 2025
And so here we are.
I’ve been meaning for ages to pull together a proper list of books and studies—especially those centered on British girls’ schools. Partly as a research tool, part a nostalgia trip, and, of course, partly an excuse for muttering, “Can you believe this was actually published… for children!?” As a research resource, it’s also slowly taking shape in Zotero, where I no longer have to depend on memory (unreliable), BBEdit, my favorite writing space, on random pages of notebooks, or on the chaotic space that I call my desk.


The story of Inez de Vries unfolds through a series of documents—some official, pulled from the prim and unforgiving files of Saint Clare’s School for Girls; others are more intimate, drawn from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others will retain the texture of handwriting, rendered in a cursive-style font. Readers are invited to step into the role of archivist, assembling the story from these traces, and imagining the lives that fill the gaps between pages—the tensions, the alliances, the secrets too dangerous to write down. Not everything will be explained. But Inez is watching. And she remembers.
This first exchange between Clarissa and her father captures her earliest days at Saint Clare—tentative, observant, and already sharpening into something unmistakably her own. Clarissa’s letters home are notable not only for her frank admiration of one Inez de Vries—already firmly on the staff’s watch list—but also for the affection and respect she shows her father and his public life, and for introducing a private code between them: their “Jelly Baby Ledger.”
Clarissa left the ledger on her father’s desk the morning she departed for school—a small, deliberate gift in her careful handwriting. Its pages are marked with doodled sweets in the margins and a hand-drawn scale that ranges from “catastrophic” to “triumphant.” In her letters home, each Jelly Baby count is shorthand for how she is faring—socially, strategically, and in terms of her all-important tuck supply.
The paradox is part of the charm: Clarissa is still young enough to count her sweets in Jelly Babies, yet already capable of nuanced political metaphor and a subtle, sidelong interest in the de Vries family. Something is awakening here—not a rebellion exactly, but an alertness. She is watching Inez. She is watching the adults. And, increasingly, she is watching herself.





A fictional British girls’ boarding school, inspired by real Scottish and Welsh, as well as English, institutions. The history of the school stretches back to the mid-19th century and forward at least to the 1980s. The world of Saint Clare spans generations. The school is steeped in tradition, with layers of history, shifting leadership styles, and cultural change echoing through the decades. Stories are collected here:
Time Period: Summer Term 1955




