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This post will (hopefully) evolve. It’s intended to be a living bibliography of boarding school books, stitched together while my brick-red school trunk goes off into an alternative universe to have adventures without me… because every great school story begins with a missing kit and misplaced books.
There are still several days of Oasis Party posts (first and second) waiting in the wings, and more than a few Inez entries stranded halfway through editing. In theory, finishing those should have my full attention for this Friday morning’s blogging. In practice, however, my AuDHD brain—already juggling post-COVID fog, the occasional energy crash, ridiculous Southern California late-summer humidity and heat, unanswered emails, and an overwhelming number of personal and professional to-do lists—has staged a coup. It looked at the careful queue of half-finished projects, waved politely, and declared: what we really need right now is to get a boarding school bibliography posted.
Q: I’ve collected articles & books about boarding schools since I was 7. Anyone interested in reading lists or a public Zotero library?
Zotero https://t.co/QXK4H2TF80 Citation software used mostly by academics to organize research. Zotero’s open source.
— Mija (@eltercerojo) August 13, 2025
And so here we are.
I’ve been meaning for ages to pull together a proper list of books and studies—especially those centered on British girls’ schools. Partly as a research tool, part a nostalgia trip, and, of course, partly an excuse for muttering, “Can you believe this was actually published… for children!?” As a research resource, it’s also slowly taking shape in Zotero, where I no longer have to depend on memory (unreliable), BBEdit, my favorite writing space, on random pages of notebooks, or on the chaotic space that I call my desk.

The story of Inez de Vries unfolds through a series of documents—some official, pulled from the prim and unforgiving files of Saint Clare’s School for Girls; others are more intimate, drawn from the journals, letters, and scribbled notes of the girls themselves. Some will appear typed and orderly; others will retain the texture of handwriting, rendered in a cursive-style font. Readers are invited to step into the role of archivist, assembling the story from these traces, and imagining the lives that fill the gaps between pages—the tensions, the alliances, the secrets too dangerous to write down. Not everything will be explained. But Inez is watching. And she remembers.
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