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A Special Report:
It has come to the attention of the Headmistress, the Prefects, the Archive Committee, and several impatient girls in the back row that The Seduction of Anne Kelley, Part Three has not yet appeared. This despite Part Two having been posted — <looks at calendar, checks again, considers hiding calendar> — on February 6.
Shocking.
The delay does not appear to be the result of Miss Kelley having escaped. Nor is there evidence that Gwen has injured her wrist, mislaid her fountain pen, or fallen victim to a global shortage of green ink, though one can never be too careful with Old Girls and their silences.
The cause is, regrettably, of a more shameful and contemporary nature: WordPress has been Difficult.
More precisely, the Classic Editor, which has long indulged Mija’s habit of pasting in plain text and then fussing over the formatting afterwards like a girl trying to get her tie straight after morning prayers, has lately stopped behaving itself. The editor toolbar no longer seems properly able to manage the Google fonts used for the Inez letters and documents. Since those fonts are not decorative extras but part of how the archive speaks, this is not a small inconvenience. A letter from Anne Kelley ought not look like a memo from a dental office. Gwen de Vries should not be made to write in whatever typographic cardigan WordPress has left lying about.

Mija has, by her own report, investigated. She has poked settings. She has read advice. She has tried things. She has looked sternly at the screen. She may even have muttered. None of this has restored the former order.
The obvious solution is for Mija to report promptly to Editor Gutenberg and learn to behave properly with Blocks.
Naturally, she appears to have responded to this obvious solution with maturity, grace, and a spirited refusal to do anything of the kind.
When questioned, Mija was heard to describe this as “my own Mental Block, if you will, and therefore surely not entirely my fault.” After further reflection, she amended this statement to suggest that it may not be her fault at all, but rather the product of “some wider technical social ill,” or possibly “WordPress trying to be Squarespace,” after which she sighed in a pointed and unbecoming manner.
In fairness to WordPress, Gutenberg blocks were introduced in 2018, so Mija can hardly claim a want of warning. She has had, by any reasonable standard, ample time to prepare herself. Possibly even enough time to become serene, competent, and modern. Instead, she has spent the intervening years loitering near the Classic Editor, clutching her forged excuse note and insisting that surely this will still work if everyone is polite about it.
This is because, according to Mija, she does not wish to change the way she does things, thank you very much. She had a system. It was not elegant, perhaps, but it was hers. She pasted the text. She formatted the letters. She adjusted the fonts. She pretended this was a writing process rather than a private contest of wills with a website. And now Editor Gutenberg, in their crisp blouse and sensible shoes, appears to be saying, “Perhaps you should use the tool we have been trying to make you use for years.”
Mija has described this as “frankly, rude.”
However, after some grumbling, sulking, and the digital equivalent of dragging her regulation shoes along the corridor, Mija has admitted that Blocks may actually be the better method for the Inez archive going forward. Instead of formatting each letter after the fact, she can create styled containers for the different kinds of documents: Anne’s letters, Gwen’s letters, diary pages, memoranda, reports, and all the other surviving scraps Saint Clare’s really ought to have burned when it had the chance.
In practical terms, this means Part Three is delayed because the desk is being rebuilt before the papers are placed on it. Anne and Gwen are being given proper stationery. The archive is being sorted. Mija is being made to learn a new system, though not without complaint, resistance, or a certain amount of theatrical sighing.
Classic Editor, meanwhile, looks more threadbare and careworn with each passing day. Having been retired for nearly eight years, they really ought by now to have been allowed a shawl, a cup of tea, and a quiet chair by the fire, rather than being dragged back into service each time Mija refuses to report to her assigned editor.
Rumour has it that Editor Gutenberg has been seen in the corridor, tapping their foot in a show of marked (im)patience.
At the time of this notice, The Seduction of Anne Kelley, Part Three remains forthcoming. Mija has been instructed to stop loitering near the Classic Editor, present herself to Editor Gutenberg, and learn to use Blocks in a manner befitting a girl of her age, experience, and repeated warnings.
More importantly, if anyone knows a good Spanko Defence Attorney, please send them ’round immediately. Like yesterday. The evidence against me appears extensive, the witnesses are numerous and multiplying, and I am beginning to suspect that “But I liked the Classic Editor” may not constitute a complete defence.
k, thanks, bye.






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